It doesn’t come with a monetary prize. It doesn’t come with anything at all, really. But, my favorite audio publisher of the year is Tantor Audio. Yes, their prices are good. Their prices are VERY good, actually, and they are more than willing to work with libraries to both of our mutual benefit. But good prices are only good if there is something you want to buy, right? Tantor combines good price with good titles.
They’ve only been around for 10 years and maybe that is the key to their thinking outside of the box success. I know, I know. You’re going to ask me exactly HOW are they thinking out of the box when they are publishing some of the hottest books and hottest series currently in the market. The thing is, they are producing audio for many books that other vendors have turned their back on. Robin Hobb’s Assassin’s Apprentice, for example, was first published in 1995. It may be a little too soon to be calling it a fantasy “classic” but it is certainly a book that never seems to dip in popularity. Yet, it took 15 years (and Tantor Audio) to bring it to audio. Luckily, they are turning their eye to other projects sooner. They have brought many Urban Fantasy/Paranormal Romance titles and series to audio when other publishers have mainly ignored them, or jumped in only on the bigger authors. (Recorded Books has published J.R. Ward at an OUTRAGEOUS library edition price. Penguin picked up The Dresden Files series) But my patrons are also asking for Lara Adrian and Rachel Caine and Kelley Armstrong. They love Yasmine Galenorn, Carrie Vaughn and Nalini Singh. Authors that have been largely invisible except in “certain circles” and not taken seriously as audio contenders. Now they’re available and not only are they available, but they are done very well. The narrators are incredible, the production is fantastic and the cover art is good too. Packaging is great. THANK YOU, Tantor! Now more people can listen to books they love.